It is a common warning among many that co-parenting a canine companion after a breakup is a terrible idea. The consensus suggests such situations impede ex-partners from finding closure, cause practical headaches, spark arguments, and are a nuisance for all parties. Apparently, in a revelation worthy of a direct-to-platform film, it can even cause the canine in question to experience sadness.
Not to downplay the mental health of dogs – many owners observe their remarkable empathy. For a masterclass in pet despair, one need only look recent cinema. It seems certain that a dog like Merv, a spirited little dog played by the canine actor Gus, would find it difficult coping with split households. The idea of basing a full holiday film on such a setup works effectively seems rather doubtful.A Familiar Formula
Honestly, Merv, written by the writing duo and under the guidance of director Swale, makes no grand claims anything more than a light film. We have here a seasonal offering from a corporate studio – the depth are modest. The plot proves to be simple and direct: former spouses Russ (Charlie Cox) and Anna, portrayed by Zooey Deschanel, confronting that their own sadness is rivaled only by their dog's, take a therapeutic trip to a canine-centric retreat. Once there, as expected, they will presumably stumble toward the idea that they are better together. The supporting cast – played by Chris Redd, Jasmine Mathews, and others – are crafted as eccentric, underutilized, or over-the-top. The film's look is reminiscent of a branded content, with a holiday backdrop that is clearly manufactured – think fake snow clinging to lush pines as a warm climate doubles as a cold December city.
The Dog's Domain
Whether these standard ingredients come together into something enjoyable depends on the execution and an acceptance of easy entertainment. Regarding the second aspect, Merv hones in on a demographic – individuals who scroll endlessly for cute animal clips. The film delivers a plethora of adorable dog montages. The main attraction is Merv himself, and even if it causes some stilted moments between animal action and people's faces, the movie delivers on dog beach fun, canine sorrow, and, in the end, a tail-wagging resolution.
Where It Wobbles
The same praise cannot be applied for the romantic plot. Its style shifts uneasily between relationship drama, zany antics, formulaic romance, and physical comedy, failing to master any one mode. The fault lies not with Charlie Cox, who is admirably committed the silliness and cringe required by the unusual premise. Cox exhibits a charming humility that offers a significant portion of the appeal for this on-the-rocks couple. Anna's portrayer, as is her trademark, injects a distinctive offbeat energy that will click for some but not others. The character comes across as a touch too detached, especially when paired with Cox's vulnerable performance. (On another note, the canine performer succeeds in flopping and whining – while no a canine thespian of that caliber, he's definitely a very good boy.)
The film attempts to add substance to the couple's history for scenes without their pet – which is unfortunate, considering the dog is undoubtedly the most adorable aspect of this cute-aiming movie. Expectedly, it meets the bare minimum. The cause for their separation could have been more nuanced with greater exploration and fewer direct statements. In the end, Merv is slight and sweet, fulfilling all its marks. Creating a movie about dog co-parenting has potential – but I wouldn't call it a great one either.
- Merv becomes available on Amazon Prime Video on December 10th.
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